Silverchair. I don’t know where to start. I’ve been following them since I was 9 and over that time the relationship has definitely had its ups and downs. As an avid fan of their first two albums, I was rather disappointed when Neon Ballroom was released. By comparison, I found it rather wanky. The same went for Diorama. However as time passed, I came to realise that while these albums were different from what originally brought me to the band, they were special in they’re own way. Well after a significant break and plenty of uncertainty, Silverchair have returned with a brand new album that marks the next step in their continuing evolution. The question is, did we need ANOTHER new Silverchair sound?

The answer is a resounding maybe. I’ve built up enough respect for Daniel Johns over the years not to dismiss this album, but I can’t help but I think he’s really outwanked himself this time around. I’m confident that this feeling is largely brought on by the shock of the vastly different sound, but in all honesty, if another band had released this, I wouldn’t been caught dead listening to it.

Though it’s difficult to pigeon-hole any of Silverchair’s albums, this would definitely be Johns’ poppiest effort to date. He finally seems to have overcome whatever demons were troubling him and it’s reflected in this album, which emerges as bold and energetic. The decision of whether or not to buy this album ultimately lies in how you responded to their last two albums. If you enjoyed in one way or another, you’ll probably enjoy this too. It may not feel like a Silverchair album at first, but it should get there eventually. I hope.

Straight Lines – I’m surprised that no one I talk to actually likes this song. I mean sure it’s a little gay but it’s not THAT bad. Is it being flogged on radio or something? I wouldn’t know as I rarely listen. Anyway, I’ve liked it ever since I saw them live and it was the only new song that grabbed me. So for that, I’m gonna stick by it.

Waiting All Day – One interesting aspect of this album is that at times it sounds a lot like The Sleepy Jackson. This certainly isn’t anything to complain about.