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The Art Gallery of NSW continues to build on its relationship with sponsor UBS, with a new exhibition opening this month showcasing highlights from the UBS Art Collection. An incomplete world features paintings and photographs by leading international artists including Andy Warhol, Roy Lichtenstein, Sarah Morris, Damien Hirst, Andreas Gursky, Ed Ruscha, Lucian Freud, Gerhard Richter and Cindy Sherman. After its run at the AGNSW (from 19 May until 29 July 2007), the exhibition will travel to the National Gallery of Victoria, Melbourne for a season commencing 28 September 2007 and running till 6 January 2008. Exhibitions curated from The UBS Art Collection have previously been presented at the Museum of Modern Art, New York and Tate Modern, London. An incomplete world highlights artworks that consider how we have shaped the world and our vision of it, and how the world we have created shapes us. The exhibition has three linked thematic groups: natural and built environments; portraits and people; and transforming places. Over 50 works by 31 artists have been selected to represent these themes. The selection was made by Wayne Tunnicliffe, curator contemporary art, Art Gallery of New South Wales, and Jason Smith, curator contemporary art, National Gallery of Victoria. Wayne Tunnicliffe says, “This exhibition brings together great works of art from the last thirty years, the majority of which have not been seen in Australia before. UBS’s three year commitment to supporting the Gallery’s contemporary collection programs and this exhibition are together the most important sponsorship of contemporary art that the gallery has received.” Highlights of the exhibition include: American pop artist Andy Warhol’s unique early work Cagney,1963, depicts the film actor famous for his gangster roles. This dates from when Warhol first began to make silkscreen paintings and to concentrate on movie stars and film-making. Another Warhol in the exhibition is his iconic portrait of German artist Joseph Beuys from 1984. British artist Lucian Freud’s Head of a naked girl, 1999, is a searingly intimate close-up portrait, while Double portrait¸1988-90, depicts a woman lying with a hound. As Freud has said, "I paint people not because of what they are like, not exactly in spite of what they are like, but how they happen to be."
Damien Hirst, one of the highest profile contemporary British artists, is represented with a large painting of coloured dots on a white ground. Entitled Albumin, Human, Glycated, 1992, it is from his series of randomly arranged spot paintings with titles that refer to pharmaceuticals. Hirst has described this series as happy paintings, and yet that joy has a chemical reference. A substantial group of influential recent European photography includes such luminaries as Thomas Ruff with enigmatic large-scale colour portraits, Andreas Gursky with his spectacular digitally altered store interior 99 cent, 1999, and sublime image of a glacier, Aletschgelscher, 1993, and a series of Candida Hofer’s enigmatic, empty, public rooms. Japanese photographers Miyamoto and Hatakeyama have ominous but impressive works. Miyamoto’s black and white photographs document the damage inflicted on buildings in Kobe after the earthquake in 1995 and Hatekeyama’s abstract, violently beautiful images are of exploding rocks and soil. A broad public program of film, tours, talks and events for families including an on-line education kit for students and teachers will accompany the exhibition. David Edwards Send us your feedback on this article or anything else in The Blurb Advertise with us | About us |Our privacy policy
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An Incomplete World Venue:
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