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Cool chicks
Straight from the hands of National Geographic and straight, perhaps, from the heart of Disney, March of the Penguins takes us on the harrowing journey of the Emperor penguins as they complete a cycle that results in the birth of their offspring.
Wouldn’t it be funny, I daringly thought, if someone else had narrated
this piece? Someone like, oh I don’t know, Paris Hilton. Think of
it. The penguins endure great hardships as they seek to procreate and
the possibilities for alternative commentary seemed endless, at least
to me. There’s lots of scenes where the penguins get tired of walking
(these creatures spend half the year walking) and start sliding across
the ice on their bellies and I can just imagine Paris screaming “Ooooooowwwwww!!!!”
Eventually the penguins reach a venue where they wander amongst each other and slowly choose a mate. It would be at this point, I’m sure, that M. Jacquet would have to restrain Paris from joining the throng to make recommendations and discard the few she deemed unsuitable for mating. “But Lucy, gimme a break! Look at the size of the can on that ole fella and when was the last time this one had a pedicure?” As the older members of the tribe let out their high pitched scream they usually reserved for the blizzard scenes, I can see Paris, always desperate to fit in, set off with a similar wail which to M. Jacquet sounded no different from everything else she said and as he prayed for a giant albatross to jet in or one of those monstrous sea lions that prey on these penguins to come hurtling through the ice and enjoy one of Paris' calves as an entrée, he would watch in vague disbelief as the brood surrounded Paris and bizarrely claimed her as one of their own. I imagine it would’ve been over very quickly and as M. Jacquet and his crew smilingly resumed filming, they realised the visuals spoke for themselves. Their March of the Penguins didn’t need a narrator at all. Michael Dalton Send us your feedback on this article or anything else in The Blurb |
March of the Penguins Director:
Luc Jacquet
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