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Slow-mo for Schlomo
When Solomon’s (Mosche Agazai) camp is stormed by the Israelis
his mother (Meskie Shibru Sivan) makes the wise decision of letting him
go to Israel, she renames him Schlomo and says goodbye with the wise words
“Live and Become”. It’s a shame she didn’t tell
him to smile too but off he goes into a new life where he’s adopted
by a very liberal Israeli couple who have two smartass kids so they probably
figured Schlomo might balance things out. Time goes on (slowly) and Schlomo yearns to contact his mother but in
the meantime gets himself a girlfriend, almost gets “fixed”
by Jewish Fundamentalists and with the help of an Ethiopian community
leader known as Qes Amhra (Yitzhak Edgar), he writes letters in Amharic
(his mother tongue) to his mother. The final act almost takes the form
of a thriller as we wait to see whether Schlomo will reveal his true heritage
to his bride, Sarah (Roni Hadar). A lot of time passes and eventually
Schlomo, now a doctor, is working in refugee camps back in his home country
when across the way he spots a familiar-looking huddled figure. High marks must go to the production values on display here and both Yael Abercassis and Roschdy Zem do a fine job as Schlomo’s adoptive parents Yael and Yoram. Both playing liberal parents sometimes at odds with the archaic values of the world around them, their animated performances all but save Live and Become from the exercise in drudgery it very nearly becomes. In a funny way, Live and Become reminded me of that Tom Cruise vehicle, Jerry Maguire. The central performance remained as flat as a tack while the colourful collection of supporting players gave the film some life. When a film seeks to take us on a journey as lengthy as Live and Become’s, we need an escort with some drive. No matter what age Schlomo is, he never seems quite up to the task. Michael Dalton Send us your feedback on this article or anything else in The Blurb |
Live and Become Director:
Radu Mihaileanu
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