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Director: Raja Gosnell Cast: Sarah Michelle Gellar, Freddie Prinze Jr, Matthew Lillard, Linda Cardenelli, Seth Green, Alicia Silverstone, Peter Boyle and Tim Blake Nelson Release: Nationally on April 1, 2004 Rated: PG
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Cartoon capers The
mostly unexpected success of the first Scooby Doo movie pretty much guaranteed
a sequel. Scooby Doo 2: Monsters Unleashed (again with the double-barrelled
titles) Screenwriter James Gunn seems to have been immersing himself in the original cartoon series, because this film bears considerably more resemblance to it than its predecessor. The juvenile bodily function humour is largely – but certainly not entirely – gone, with the script returning to the cartoon’s preposterous roots. This is one of those rare occasions where a completely ridiculous plot is an advantage, as it taps into what made the cartoon so successful. And
ridiculous it is. Essentially, the Mystery Inc gang is on the trail of
a madman, known only as “the masked figure”. This evil menace
is terrorising Coolsville by stealing the suits worn by villains the gang
has defeated, and reincarnating them as living monsters. Fred (Freddie
Prinze Jr), Daphne (Sarah Michelle Gellar) and Velma (Linda Cardenelli)
are at their wits’ end trying to figure this one out. The situation
is made worse by a series of stuff-ups from Shaggy (Matthew Lillard) and
Scooby (voice of Neil Fanning); and the relentless criticism from TV reporter
The film proceeds with the same general pattern as the cartoon, with the predictable series of goofy encounters with increasingly difficult monsters before the bad guy is finally unmasked. Gunn and director Raja Gosnell throw in a few pop culture references for the adults, but this is squarely aimed at kids and early teens. Still, there’s plenty of fun here for kids, and adults might even crack a few smiles as the ever more silly antics unfold.
Scooby Doo 2: Monsters Unleashed isn’t great filmmaking; but then it doesn’t pretend to be. This is a popcorn movie for a popcorn audience, and there’s nothing wrong with that. For all its cringe-inducing plot twists and leaden performances, this is still oddly engaging stuff, even if it’s only because it provokes nostalgia for the cartoon. David Edwards Send us your feedback on this article or anything else in The Blurb |
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