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Rising
star woos Falls
We
arrived at The Grand Theatre for Emma Louise where a considerable crowd
had gathered. Starting out on stage solo, she played a song written the
previous week called “British Admiral”. Inspired by a visit to King
Island for Christmas, the reef is littered with over 200 shipwrecks and
the song reflects upon all the sailors who never came home to their
wives. With a sweet, tender opening on acoustic guitar, the lament and
mourning was clear. Emma was joined on stage by her band for
“Sandalwood” allowing her angelic vocals to fill the tent.
Next was “Our Song”, though I might have the name wrong,
based on the experience of being dumped yet still going back for more.
Interestingly opening with vocal harmonies and a strong beat, it was a
song full of concern yet able to achieve a quiet, calm moment of
stillness of held guitar and keys notes among the drumbeat. Having last
seen Emma Louise in the support slot for Boy and Bear last year, I was
impressed to see her showmanship has improved performance wise,
possibly part of that lift is the band behind her, but on stage
experience seems to have served her well.
She told the audience that she had lived in Brisbane during the floods,
and to escape that scene, had gone home to Cairns only to be stranded
by cyclone Yasi. “Warning Eyes” was written while waiting for Yasi to
arrive and delivered a quiet, solemn opening, building with the
imminent story. “Darts” was about a good friend not long passed away, a
slow song where memories unravel and intertwine through melody and
emphatic versus. She reveled in the fact that she was playing a few new
ones for the crowd and played another which I think was called
“Staying”.
Next she pulled one from her EP from when she first moved to Brisbane
and was living in a share house with smelly boys. “Bugs” had a
delightful full sound, with a strong guitar, piano, drums and a massive
wallowing bass riff. Given that the previous year had been a whirlwind
of activity with her sudden rise in popularity, among all the changes,
she wrote “Flannelette Sheets”, a song about being away from a loved
one. The opening harmonies were like a light rain shower building up to
a heartfelt yearning crescendo ending. “Sun And Moon” was punctuated
and rhythmic with echoey harmonies throughout the chorus. And to bring
her set to a close, Emma Louise pulled out a punchy rendition of the
hit “Jungle”. She had a dedicated audience and a solid, entertaining
performance. Her style still holds on to much of the floaty, delicate
intimacy created by her breathy style, but she has stepped in to her
own as a festival performer.
2012 will certainly be Emma Louise‘s year.
Evan Hughes
For more of Evan Hughes’ music reviews, check out
Timber and Steel
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