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Brisbane’s
A major retrospective of the work of Eugene von Guérard (1811–1901),
one of Australia’s most renowned colonial landscape painters, is
currently showing at the Queensland Art Gallery (running till 4
March 2012).
Queensland Art Gallery
Director Tony Ellwood said Eugene
von Guérard: Nature Revealed featured over 65 works from
throughout the Austrian-born artist’s 50 year career, including many of
his iconic landscapes and several sketches.
‘Eugene von Guérard is arguably Australia's most important colonial
landscape painter. His works are remarkable in their detail and greatly
valued for their depiction of Australian landscapes of the mid1800s,’
Mr Ellwood said.
The National Gallery of Victoria touring exhibition, curated by Dr Ruth
Pullin, illustrates how von Guérard’s artistic endeavours were informed
by his interest in the geography, geology and vegetation of the
Australian ‘New World’. ‘Included among works from the National Gallery
of Australia and many state, regional, and private collections are some
of von Guérard’s most important landscape paintings including Northeast
view from the northern top of Mt Kosciuszko 1865, Tower Hill 1855 and
Weatherboard Creek Falls, Jamieson’s Valley, New South Wales 1862.
‘Von Guérard’s representations of the forests of Gippsland and the
Otways, the crater lakes of Victoria's volcanic Western District and
the peaks of the Kosciuszko plateau are valuable to this day, not only
as paintings but as a reference for scientists and geologists
observing environmental change.’
Eugene von Guérard was born in Vienna in 1811 and trained as a painter
in the European art centres of Rome, Naples and Düsseldorf, before
migrating to Australia in 1852. He was the inaugural Curator and Master
of the School of Painting at the National Gallery of Victoria. Mr
Ellwood said von Guérard’s meticulous landscapes were remarkable in
their detail.
‘Through his detailed brushstrokes and breathtaking compositions,
visitors can explore the magnificent Australian, New Zealand and
European landscapes he captured on his expeditions around the world,’
he said.
‘The exhibition also includes two sketchbooks documenting the Sicilian
expedition made by von Guérard and his father Bernard von Guérard
(1771–1836) in 1834, considered to be among his earliest.’
Image: Eugene von
Guérard | Mount William and part of the, 1865 | Oil on cardboard 30 x
40 cm National Gallery of Victoria, Melbourne Collier Bequest, 1955
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