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Constructing nature
“There is an element of
chance in how you see the sculpture, in terms of how it positions
itself in space according to movement of air in the space.” Ranjani
Shettar
The National Gallery of Victoria this
month launches its newest
contemporary art space with a spectacular exhibition of work by
internationally renowned contemporary artist, Ranjani Shettar.
Ranjani Shettar: Dewdrops and
Sunshine will showcase the artist’s unique approach to sculpture
including material experimentation, relationship to space, engagement
with nature, exploration of tradition and resonance with modernism.
Often transforming natural phenomena into magical forms, Shettar
creates sculptures informed by a material openness that borrows from
Indian craft traditions filtered through her own novel sensibility.
Dr Gerard Vaughan, Director, NGV, said: “We are delighted to be opening
this new space dedicated to contemporary art in our 150th anniversary
year. Visitors to Ranjani Shettar will be amazed by the diversity of
the materials used, the biological and cultural concepts Shettar
explores and the spatial engagement one has with the works – truly a
phenomenal experience.”
Dr Alex Baker, Senior Curator, Contemporary Art, NGV, said: “Shettar’s
choice of media in the creation of the art on view is a wide range of
the organic and human-made, including tamarind kernel paste, muslin,
lacquer, wood, automotive paint, fishing line, beeswax, dyed thread,
latex rubber and steel.”
The NGV is also excited to announce that Shettar’s newest piece,
Interplay, created especially for this exhibition, will be on display
for the first time along with five other works dating from 2003 to
present. These works include Transitions (2003), Heliotropes (2005-06),
Touch me not (2006-07), Fire in belly (2007) and Sun-sneezers blow
light bubbles (2007-08), and Flame of the forest
(2011).
The works on display in this exhibition explore a wide spectrum of
natural phenomena: the kinetic response of plants in the presence of
sunlight and to sudden movement; the human sneeze as a reflex to bright
light; the interaction of water and sunlight; and the fluorescence of
fireflies.
The artist’s newest work, Interplay, is made of two netted
components composed of coloured beeswax and lacquered wooden spheres
connected by brightly dyed cotton thread. One of the components is in
shades of blue and the second in warm yellows and
oranges. The warm and cool colours create a contrast that recalls
sunlight streaming through morning mist or dewdrops, or an afternoon
sun shower on a hot summer day. Like Shettar’s other bead and thread
installations, Interplay suggests a drawing in three-dimensions.
The concepts of Shettar’s newest work, Interplay, refers to both the
exhibitions poetic subtitle – Dewdrops and Sunshine – which was the
artist’s suggestion – as well as a general concern Shettar explores in
her work: an ongoing investigation of the relationship of water
and light to living things.
Dr Baker said: “Dewdrops and Sunshine
presents a sampling of Shettar’s sculptural practice; all of the
selections in some way reflect upon formal ideas of volume,
suspension/attachment, light and shadow, as well as materiality. But
Shettar is not simply a formal purist. It is her ongoing quest to
present a synthesis of form and narrative through a vocabulary uniquely
her own that makes her vision singular within the terrain of
contemporary sculpture and installation art.”
Shettar was born and resides in Bangalore, India and will be travelling
to Melbourne to install the exhibition in the NGV’s newest contemporary
art space. Shettar will also be taking part in NGV Public Programs,
visit ngv.vic.gov.au for more info.
Internationally, Shettar’s work is represented in the collections of
the San Francisco Museum of Modern Art and Museum of Modern Art, New
York. The artist has also exhibited at the Modern Art Museum, Fort
Worth, Texas; Institute of Contemporary Art, Boston; the Walker Art
Center, Minneapolis; Hermes Foundation, Singapore; and Talwar Gallery,
New York/New Delhi. Shettar has further been featured in international
surveys such as the 2006 Sydney Biennale and 2008 Carnegie
International.
Image: Ranjani SHETTAR, (1977–
), Sun-sneezers blow light bubbles, 2007–08,
stainless steel, muslin, tamarin kernel paste, lacquer 487.7 x 731.5 x
426.7cm
(variable. Collection of Talwar Gallery New York/New Delhi and the
artist)
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