The Sisters Brothers
Author: Patrick deWitt
Publisher: Granta
Price: $29.99 (paperback)
Shame and blood and degradation
I wasn't terribly
thrilled on the publication of the long-list for this year's Booker
Prize, not because it simply contained the usual suspects (although a
few of them were in fact there with only Julian Barnes making the cut
to the short-list) but because the novels I hadn't heard of previously
didn't really get me excited on the whole. Only a couple I hadn't
already registered caused my ears to prick and foremost amongst those
was Patrick deWitt's Western novel about two sibling killers, Eli and
Charlie Sisters. Now, I hate westerns as a general rule but two
genuinely great books I've read, Cormac
McCarthy's masterpiece Blood Meridian
and Ron Hansen's The Assassination
of Jesse James by The Coward Robert Ford, have been set in
that period and the prospect of something rather more in the mould of a
Coen brothers movie tickled my fancy. It may not do the same to you,
the Coen's are a bit divisive it seems, so if you're not keen on that
short description then it's pretty safe to say this isn't the, now
short listed, title for you, and whilst I don't expect to see it
scooping the prize there was enough to make it a curiously enjoyable
tale of murderous mayhem.
The novel is narrated by Eli, the younger and fatter of
the two
brothers whom we find traumatised by the death of his previous horse in
a fire and slightly dispirited by its replacement 'Tub'. Whilst Eli
mopes his dominant brother Charlie has stolen a march on him, being
made de facto leader of their two-man operation by their boss, The
Commodore. Their latest job is to head over to San Francisco in pursuit
of Herman Kermit Warm, a man they must kill though they have little
inkling of the real reason why (not that they really care). The two
brothers have long been in the killing business ('You put a wage behind
something, it gives the act a sort of respectability. In a way, I
suppose it feels significant to have something as large as a man's life
entrusted to me'), beginning in fact when Charlie shot their abusive
father before taking his mother away to get her broken arm mended, that
arm 'bent like a chevron. Like a shotgun opened for
loading.' We quickly gather through his flat narration that
Eli may not have quite the same verve for it as his brother and that he
is a man looking for a way out of the groove life has placed him in.
The two brothers journey through Oregon and California towards
gold-rush era San Francisco, an odyssey that brings them into contact
with people just as odd and sometimes dangerous as they are.
An odyssey should have an element of Fate about it and there are plenty
of moments where the brothers discuss their antics, ponder on the hand
Life has dealt, even worry that they may have been cursed. Just as it
seems that Eli's faithful horse Tub may be about to meet his maker,
especially when Providence places an impressive replacement free of
charge into his hands, Eli rewards that faithfulness by keeping hold of
his one-eyed mount. What, wonders his brother, 'will become of the man
who shuns Providence?' Faithfulness is something of a theme, its
strength tested in times of violence and disorder, and the bond between
these two brothers is constantly under stress from their differing
personalities. Charlie is a man defined by his seniority and easy
violence whereas Eli manages to combine a child-like view with the bulk
and latent anger of a dangerous man. It is an unlikely hero who
explains to the reader his unique form of stress relief.
I took up my organ to compromise myself. As a young man, when my temper was proving problematic, my mother instructed me to do this as a means of achieving calm, and I have found it a useful practice ever since. Once accomplished I headed back to the river, feeling empty and cold inside but no longer angry. I cannot understand the motivation of a bully, is what it is; this is the one thing that makes me unreasonable.The dialogue between the two brothers and other characters they meet is what provides the novel with its humour and easy entertainment, even whilst moments of extreme violence provide brutal reminders of the times they live in. Eli's slow journey towards civility is charming; the advent of tooth-cleaning powder, his meeting with a woman in a whorehouse, his desire to save enough money to make a new life; each of these markers show some kind of progress but we always sense that it could be jeopardised at any moment and that his brother may hold control over his course, as indeed he always has.
As they near San Francisco deWitt develops the craziness nicely. The man they have been sent to kill is not what we might have expected, nor the reason for his execution and the plot goes nicely askew in line with the prevailing atmosphere of madness. 'There is a feeling here, which if it gets you, will envenom your very center. It is a madness of possibilities.' observes one character and the particular fever of the gold rush is a potent combination of greed, desperation and escalating violence.
Men desiring a feeling of fortune; the unlucky masses hoping to skin or borrow the luck of others, or the luck of a destination. A seductive notion, and one I thought to be wary of. To me luck was something you either earned or invented through strength of character.But it also 'isn't enough to be lucky' and the grim conclusion that we have always sensed was our destination isn't long in coming. There is a lot to be said for a read that is just entertaining, and despite the grimness and violence that is what this book feels like after finishing it. But, as I said at the top, in a quest to find the best book of the year the judges might have to find themselves at the other end of the Sisters Brothers loaded pistols for deWitt's novel to prevail.
William Rycroft
To read more of William Rycroft's book reviews, check out his blog at Just William's Luck.