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There are no safe places anymore The Giller Prize is Canada's premier fiction award, won this year by journalist Linden MacIntyre for his second novel, The Bishop's Man. Whilst the real judging panel were coming to their decision a shadow jury including bloggers Kevin From Canada and Trevor from The Mookse And The Gripes also read the shortlist and announced their own winner in advance of the Giller panel. This year both concurred, bestowing praise on MacIntyre's fictional examination of the scandals within the Catholic Church. With such an explosive subject MacIntyre maintains focus by keeping things local for the most part, looking at the small community of Creignish on Cape Breton Island, and creating a main character in a position of judgement with more than enough personal demons to contend with.
So MacAskill is a man isolated both by and within his vocation and during the novel the strain of that isolation creates cracks and fissures through which his own past begins to show. One of the major themes of the novel is the sublimation of desire, or rather the consequences of doing that. The vow of chastity is shown to be unnatural and possibly dangerous, each of the implicated priests has their defence prepared, whether that be denial, counter-claim or justification.
The complications of MacAskill's past are what make him interesting as a character. Rather than being the cold-blooded dispatcher that his colleagues believe him to be, he is a man all too aware of what it means to ignore your impulses, deny your feelings. After accusing the wrong man of transgression, MacAskill found himself shipped off to Honduras where he met an influential figure in a fellow priest, and a woman who haunts his dreams even now. Through MacAskill's journal entries we learn more about what exactly happened during his own exile, whilst in the present day we see him struggle to deal with life as a priest with a parish, one not far from where he and his family grew up, forcing him to confront those family secrets that have remained buried for many years. Add the alcoholism Another theme is that of contrition, and in particular the act of contrition. The voice of MacAskill's friend and colleague from Honduras, Alfonso, returns to him.
What that act should be differs for the many characters in need of penance, and it seems that every character in this book has something weighing them down, but there is no shortage of incident, especially with a storm brewing about the very events over which MacAskill has helped to draw a veil. But as much as the book is chock-full of plot, its real strength is the central character. Using the scandals of the Catholic Church as a background rather than the main event allows MacIntyre to focus his attention on one man and his battles with faith, loneliness, dependence and love. William
Rycroft
To read more of William Rycroft's book reviews, check out his blog at Just William's Luck.
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