Director: John
Lee Hancock
Cast: Sandra Bullock, Tim McGraw, Quinton Aaron and Kathy Bates
Releasing in cinemas: 25 February 2010
Rated: PG
Blinded
by the light
Everybody knows that,
in general, sports movies aren't really about sports. The sport is usually
simply a device to explore (or even a metaphor for) the characters' emotional
landscape. The genre has produced some great films - The Natural
and Raging Bull spring to mind - but just as many (if not more)
mediocre efforts. Whether you can actually categorise The Blind Side
as a sports movie is debatable, but even if you did, it's hard to see
that this film adds much to the canon.
The problem
with John Lee Hancock's film is that it has far too little sport and far
too much schmaltz to be really engaging. The story's theme about overcoming
adversity and the winning of hearts and minds has been done before and
with considerably more depth and intelligence than this film can muster.
That said though, the film is notable for the central performance of Sandra
Bullock, who probably deserves Oscar favouritism based on her impressive
work here. It also carries an important message about tolerance and the
importance of education that perhaps doesn't come through all that clearly
by the end.
Bullock plays Leigh Anne Tuohy, a white-bread, middle class Republican
from Memphis, Tennessee. She is however a big fan of American football
and a keen observer of its nuances. On the other side of the tracks (literally
and figuratively), down-on-his-luck homeless teenager Michael Oher (Quinton
Aaron) is given a chance by Coach Cotton (Ray McKinnon) the football coach
at the local Christian school that Leigh Anne's children attend. When
Leigh Anne's young son S.J. (Jae Head) befriends Michael, she comes to
realise just how deprived his existence really is. She, like the coach,
sees that he has the potential to play football; but before he can play
for the school, he needs to get his grades up. Welcomed into the family,
Michael soon settles down; but his first football try-out is a near disaster
- but Leigh Anne soon discovers the key to unlocking his potential.
The film is based on the true experiences of NFL professional lineman
Michael Oher. The degree to which everything in the movie is "true"
as such is possibly diluted by the fact that the film is from a screenplay
by the director from Michael Lewis's book about Oher. I'm sure that the
key events are true-to-life, but I suspect there has been some embellishment
in the telling of the tale.
John Lee Hancock (there's a good ole boy name, if ever there was one)
previously directed another real-life sports film in The Rookie;
about an aging baseball pitcher who comes back for a shot at the big time.
This film really doesn't stray far from the formula he established in
that film - a setting of sports overlaid with a ton of treacly sentimentality.
The sports sequences are well-handled, capturing both the
rough-and-tumble of American football and its tactical subtleties (after
all, this is a sport described as "chess with violence"). It
certainly makes it easier for an outsider not familiar with the intricacies
of the sport. Equally, the family dynamic is deftly portrayed (perhaps
a little too deftly at times). What isn't so subtle though is the sometimes
clunky dialogue (when Leigh Anne is told she's changing Michael's life,
she replies "No, he's changing mine"), the predictable - if
nonetheless inspiring - ending and the over-wrought sentimentality of
the piece.
Sandra Bullock however rises above all the film's failings in a wonderful
performance. Although the script doesn't give her character much back-story,
there's not a single moment when she's not utterly convincing. Aaron Quinton
is also impressive as Michael, while country music singer Tim McGraw is
rather surprisingly understated as Leigh Anne's husband. Young Jae Head
steals plenty of scenes as S.J.; and Kathy Bates has a small but significant
cameo as a tutor.
Despite appreciating many of the qualities of The Blind Side,
the whole thing left me rather cold. While Bullock's performance is entirely
credible, the schmaltzier elements of the movie were grating to say the
least. That is to take nothing away from Michael Oher's story - I just
wish that story had been told better.