DIRT

Company: Queensland Theatre Company

Venue: Cremorne Theatre, QPAC

Dates:
to June 23

Read our interviews with Michael Gow and Angela Betzien

 

 

Wash those Shorts!

The short play is curious creature. Like short films, they tend to be marginalised; performed in "fringe" or amateur settings and generally thought of as something less worthy than a full length production. But Queensland Theatre Company artistic director Michael Gow has made a brave decision to showcase the form through four new works by emerging local playwrights; dubbed Dirt.

The experiment seems to have worked, with this eclectic mix of the contemporary and the nostalgic, the frenzied and the unhurried working together remarkably well.

The evening began with Maryanne Lynch's Shoe Biz; a tale of relationships - good and bad - told through the eyes of a woman Melinda Butel (front) in ShoeBizobsessed with buying shoes. The nameless woman is played by Melinda Butel, who puts in a powerhouse performance. Indeed, she was the pick of the six person ensemble who perform various roles through the suite.

Next up was Drown, by Stephen Davis. Davis recently broke through to the silver screen with his script for City Loop, and his experience appears have had some influence, as Drown is a very cinematic work. The blokey but insightful story sees three male friends at the beach; where some dark deeds unfold and old wounds are reopened. >>>

 

 

It was a trip down memory lane for the older audience members after interval with Sven Swenson's In Lieu of Flowers. The setting is a farm sometime around the time television was first introduced into Australia. Two daughters (Rebecca Dale and Butel again) are discussing their options; but their daydreams are shattered by the arrival of their father (Peter Marshall).

Finally, Angela Betzien's Playboy of the Working Class focuses on a gamblerPlayboy of the Working Class (Paul Denny) and his struggles to break free of his addiction. Betzien's work was arguably the most exciting and original of all those on display, with flashes of inventiveness and humour peppering a challenging script.

One of the main reasons Dirt does work as well as it does is the outstanding set design by QTC staffers, who create four different worlds with a minimum of fuss and a great deal of ingenuity.

The cast is uniformly good. Butel's performance(s) have already been mentioned, and Rebecca Dale's Grace in 'In Lieu of Flowers' is particularly strong, but the remaining cast members are all fine in their respective roles - even if there are moments of incongruity, as the actors play characters considerably older or younger than themselves.

Dirt is a showcase of the best writing, acting and production talent Queensland has to offer - all skilfully guided by Gow. It's gritty stuff - but really, a bit of Dirt never hurt anyone.

David Edwards

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